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Krauto
04:32
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Golden Day
03:29
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Molten Dojo
03:18
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Mars Roaster
04:43
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Dolphins of Venice Venice, Italy
˙spuǝıɹɟ ɹnoʎ uıɐɯǝɹ ʎlɓuıɹɐǝpuǝ ʎǝɥʇ ʇǝʎ 'ǝldoǝd ɟo spuıɯ ǝɥʇ uı sʇsıxǝ ɹǝʌoɔsıp ʎǝɥʇ ʇɐɥʍ ʎq pǝʇɐlɟǝp puɐ pǝuǝʇɹɐǝɥsıp ʎlʇsoɯ ǝɹɐ ʎǝɥ⊥ ˙suɐɯnɥ ɟo sʇɥɓnoɥʇ ɓuıpɐǝɹ ɟo ʇɹɐ ǝɥʇ ǝɔıʇɔɐɹd uǝʇɟo puɐ lɐǝɹ ǝʇınb ʇ,usı ʇɐɥʇ ʎɐʍ ɐ uı ɯıʍs ʎǝɥ⊥ ¿ǝɔıuǝΛ ɟo suıɥdloᗡ ǝɥʇ uǝǝs noʎ ǝʌɐH ... more
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supported by 17 fans who also own “Autoschediasm EP”
As a longtime fan of Tim’s music, it’s good to see him back at it again. Discovered this one late in 2020 and would easily rank it up there with my favorites of the year. It’s a lot to digest without being exhausting, well worth taking some time out to listen to the whole way through. A very rich and inspired body of work, here!
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supported by 12 fans who also own “Autoschediasm EP”
Vim's side is superbly executed pastiche of certain more electronic kraut flavours - think Autobahn-era KW, Cluster... - and Tim's side is delightfully odd. I had no idea what was going on half the time, which is definitely a pleasure in this case.
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supported by 11 fans who also own “Autoschediasm EP”
Tim shows how working with the same ingredients can result in multiple flavours of sometimes decidedly baked goods. Still prominently featuring stammering, swirling guitar deconstructions over similarly tweaked and reworked acoustic drums. Yum.
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Thoroughly engaging debut of haunting folk songs crafted with clever, and unexpected, dynamic twists.
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A beautifully haunting record from ARIGTO with atmospheric drones that shapeshift constantly.
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Eye To The Ear
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The producer uses field recordings, samples, live instrumentation, and digital soundscapes to create songs with environmental themes.
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supported by 10 fans who also own “Autoschediasm EP”
always a pleasure to hear new music from Tim
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